CHANGELOG OF

Oscilloscope Music Synths

Below you will find updates and downloads of prior versions

11/3/18

OMS

v1.4.0

FIXES:
• Factory Presets edited for correct tempo
• Presets are automatically located
•Fixed crash loading certain presets

11/19/18

OMS

v1.2.0

NEW FEATURES:
• DC control is back on Radar Generator
• All OMS now have an oscilloscope and FX section like Radar
• All OMS have convenient licensing like Radar.
• The location of factory presets have been changed on Windows to C:\program files\Soundemote\<synth name>\Presets

2/12/18

OMS

v1.1.0

NEW FEATURES:
• Built-in oscilloscope for immediate visual feedback of the many radar parameters.
FX section with parametric EQ (any number of bands), limiter, and ping-pong delay. Unfortunately the EQ is not modulatable at this time, but will be in the future.

11/11/17

OMS

v1.0.0

NEW FEATURES
• Fully modular "wireless" design featuring "anything-to-anything" modulation including self-modulation and feedback modulation.
• LFOs and ADSRs may simultaneously modulate themselves while modulating others while being used as an audio source.
• 150 factory presets including growling basses, expressive leads, chaotic sound fx, rhythms, arpeggios, and hard-hitting percussion.
• Analog-inspired design which means everything runs at audio rate. This allows ADSRs to be snappy enough for percussion.
• Master Rate control changes the speed of all LFOs and synth where the synth can be set to zero speed or reverse.
• Abuse the Rotation parameter with feedback modulation to create interesting and evolving stereophonic sound.
• 6 Analog-style loopable ADSRs that will become unstable as attack and decay times are set to near instant. Feature S-curve / Lin / Log / Exp shapes selectable for each envelope stage.
• 2 Breakpoint Modulators, tempo-syncable, featuring many curve shapes.
• 8 LFOs, tempo-syncable, with dedicated ADSRs and HP/LP filters, with various "Random" modes.
• Fully assignable MIDI sources.
• Fully automatable with host automation.
• Selectable reset options on everything, so you can keep the attack consistent and snappy for percussion or smooth for legato.
• Selectable oversampling up to 8x.
• Selectable soft or hard clipping on the output.
• Selectable stereo/mono modes.