Sound Visualizer for Art and Education

v1.3.0

updated on

October 1, 2017

Sale Ends in:

10d 12h 41m 42s

Sale ends in:

FREE!

$

29

USD

Add to Cart Manual Download Demo

Runs on Windows and Mac
Runs as VST and AU

PrettyScope captures the beauty of analog oscilloscopes and offers a wide range of aesthetic options. While fundamentally designed as a waveform studying tool, it has evolved into a powerful sound and music visualizer.

Included Plugins

Get all of the tools to make the most out of oscilloscope music!

PrettyScope

Visualizer

PrettyScope captures the beauty of analog oscilloscopes and offers a wide range of aesthetic options.

Radar Generator

Oscilloscope Music Synthesizer

The most polished Jerobeam Algorithm to date. Will sound like an overdriven subtractive synth without filters.

Nyquist Generator

Oscilloscope Music Synthesizer

Effortlessly creates a large range of dubsteppy growls and vocal basses while teaching the Nyquist-Shannon sampling theorem.

Torus Generator

Oscilloscope Music Synthesizer

Creates fractal spirals that are infinitely zoomable. Beats the pants off of any FM synth.

Spiral Generator

Oscilloscope Music Synthesizer

Creates fractal spirals that are infinitely zoomable. Beats the pants off of any FM synth.

Mushroom Generator

Oscilloscope Music Synthesizer

Generates mushroom shapes that move and dance just like in real life. Excels at rich chordal and organ-style sounds.

Videos

More videos in our

PrettyScope

Playlist

Audio

All sounds including percussion are from Mushroom Generator

Videos

Check out Jerobeam Fenderson's awesome demo!

Features Jerobeam Fenderson's very own 3D fractal spiral algorithm plus Soundemote’s chaos-capable anything-to-anything signal routing, which allows for imitating the sound of analog filters.
Infinitely zoomable fractal algorithm creates illusion of zooming on an oscilloscope and allows for continuous shepard tone timbral changes by modulating “Morph”.
Many sound-shaping parameters allows for wavetable-style transformations.
"Z-Darkness" parameter creates an illusion of depth on an oscilloscope by darkening the back of the z-axis, which also results in chaotic feedback, great for sound design and fx.
Explore and combine classic FM (frequency modulation) and PM (phase modulation). Go beyond classical algorithms with chaotic signal routing.
125 factory presets including: analog-imitative screaming leads, growling basses, chaotic fx, and evolving oscilloscope-music shapes.

6 Analog-style loopable ADSRs that will become unstable as attack and decay times are set to near instant. Feature S-curve / Lin / Log / Exp shapes selectable for each envelope stage.
2 Breakpoint modulators, tempo-syncable, featuring many curve shapes.
8 LFOs, tempo-syncable, with dedicated ADSRs and HP/LP filters, with various "Random" modes.
Fully automatable with host automation.
Fully assignable MIDI sources.
Selectable reset options on everything, so you can keep the attack consistent for plucks or smooth for legato playing.
Selectable oversampling up to 8x.
Selectable soft or hard clipping on the output
Selectable stereo/mono modes

Take total control over the look and feel. One can make it look colorful or creepy for artistic endeavors, flat and monochrome for teaching purposes, or anything inbetween.
Hi-resolution 32-bit color waveform traces are great for videos.
Fully automatable parameters.
Low CPU usage (most of the work done on your graphics hardware via OpenGL).
Heatmap mode, laser mode, paint mode, and a handful of other color blending options.
Fully-customizeable colormaps.

Paint with sound using mouse functionality directly on the canvas.
Show/hide GUI controls by double clicking on canvas.
Creative color modes including RGB, HSL, RdGnBl & PrttyGrl
View a stereo signal using a fully-featured 1D mode with sync controls, number of cycles, zoom, scale, offset

Features Jerobeam Fenderson's 3D spiral ring algorithm, the more well-behaved brother of Spiral Generator, plus Soundemote’s chaos-capable anything-to-anything signal routing, which allows for imitating the sound of analog filters.
Excels at harmonically rich, lively, and highly playable bass patches. Features 40 bass patches covering wobbles, rhythms, grinders, screamers, and classic basses for the foundation of a musical piece.
Features 19 FX patches including “HyperOctave” series which explores the resulting sonic insanity of self-modulation applied to the octave parameter.
"Z-Darkness" parameter creates an illusion of depth on an oscilloscope by darkening the back of the z-axis, which quickly causes grinding and growling sounds as formants form in the harmonic spectra.
Many sound-shaping parameters allows for wavetable-style transformations.

Explore and combine classic FM (frequency modulation) and PM (phase modulation). Go beyond classical algorithms with chaotic signal routing.
6 Analog-style loopable ADSRs that will become unstable as attack and decay times are set to near instant. Feature S-curve / Lin / Log / Exp shapes selectable for each envelope stage.
2 Breakpoint modulators, tempo-syncable, featuring many curve shapes.
8 LFOs, tempo-syncable, with dedicated ADSRs and HP/LP filters, with various "Random" modes.
Fully automatable with host automation.
Fully assignable MIDI sources.
Selectable reset options on everything, so you can keep the attack consistent for plucks or smooth for legato playing.
Selectable oversampling up to 8x.
Selectable soft or hard clipping on the output.
Selectable stereo/mono modes.

Utilizes Jerobeam Fenderson’s Nyquist-Shannon algorithm as seen in his oscilloscope tutorials.
Deceptively simple control scheme creates a huge range of dubsteppy growls, vocal basses, and hard-sync-style screams.
Use tone smoothing to dynamically separate pitch and timbre changes, allowing for easy “talking” style modulation.
Extend the sound possibilities with feedback modulation to create fractal and highly aggressive patches.
38 factory presets including: rhythmic screams, growling basses, and "talky" fx.
6 Analog-style loopable ADSRs that will become unstable as attack and decay times are set to near instant. Feature S-curve / Lin / Log / Exp shapes selectable for each envelope stage.
2 Breakpoint modulators, tempo-syncable, featuring many curve shapes.

8 LFOs, tempo-syncable, with dedicated ADSRs and HP/LP filters, with various "Random" modes.
Fully assignable MIDI sources.
Fully automatable with host automation.
Selectable reset options on everything, so you can keep the attack consistent for plucks or smooth for legato playing.
Selectable oversampling up to 8x.
Selectable soft or hard clipping on the output
Selectable stereo/mono modes

Features Jerobeam Fenderson's very own algorithm which generates a fractal spiral.
Infinitely rotatable by modulating the "RotY" and "RotX" parameters.
Infinitely zoomable by modulating the "Morph" parameter
Use the "Z Amount" parameter to engage chaotic feedback, great for sound design and fx.
All parameters automatable.
Creates some mean vocal basses.

6 assignable LFOs
5 Velocity-sensitive ADSRs (hard-wired for now)
7 assignable midi sources: pitch, mod, pressure, velocity, keytrack
Selectable oversampling from 1x to 8x
Soft-clipper at the output will saturate the signal as you increase the output gain.

Fully wireless modular design featuring "anything-to-anything" modulation including self modulation and feedback modulation.
LFOs and ADSRs may simultaneously modulate themselves while modulating others while being used as an audio source.
150 factory presets including growling basses, expressive leads, chaotic sound fx, rhythms, arpeggios, and hard-hitting percussion.
Analog-inspired design which means everything runs at audio rate. This allows ADSRs to be snappy enough for percussion.
Master Rate control changes the speed of all LFOs and synth where the synth can be set to zero speed or reverse.
Selectable stereo/mono modes.
Abuse the Rotation parameter with feedback modulation to create interesting and evolving stereophonic sound.

6 Analog-style loopable ADSRs that will become unstable as attack and decay times are set to near instant. Feature S-curve / Lin / Log / Exp shapes selectable for each envelope stage.
2 Breakpoint Modulators, tempo-syncable, featuring many curve shapes.
8 LFOs, tempo-syncable, with dedicated ADSRs and HP/LP filters, with various "Random" modes.
Fully assignable midi sources.
Fully automatable with host automation.
Selectable reset options on everything, so you can keep the attack consistent and snappy for percussion or smooth for legato.
Selectable oversampling up to 8x.
Selectable soft or hard clipping on the output.

Utilizes Jerobeam Fenderson’s radar algorithm as seen in his oscilloscope music videos. This algorithm represents his most polished and musical algorithm to date. The density parameter is particularly musical as it tends to sound like a filter sweep.
NEW: built-in oscilloscope for immediate visual feedback of the many radar parameters.
NEW: FX section with parametric EQ (any number of bands), limiter, and ping-pong delay. Unfortunately the EQ is not modulatable at this time, but will be in the future.
Fully modular “wireless” design featuring "anything-to-anything" modulation including self modulation and feedback modulation.
LFOs and ADSRs may simultaneously modulate themselves while modulating others while being used as an audio source.
150 factory presets including growling basses, expressive leads, chaotic sound fx, rhythms and arpeggios, and hard-hitting percussion.
Analog-inspired design which means everything runs at audio rate. This allows ADSRs to be snappy enough for percussion.

Master Rate control changes the speed of all LFOs and synth where the synth can be set to zero speed or reverse.
Abuse the Rotation parameter with feedback modulation to create interesting and evolving stereophonic sound.
6 Analog-style loopable ADSRs that will become unstable as attack and decay times are set to near instant. Feature S-curve / Lin / Log / Exp shapes selectable for each envelope stage.
2 Breakpoint modulators, tempo-syncable, featuring many curve shapes.
8 LFOs, tempo-syncable, with dedicated ADSRs and HP/LP filters, with various "Random" modes.
Fully assignable MIDI sources.
Fully automatable with host automation.
Selectable reset options on everything, so you can keep the attack consistent for plucks or smooth for legato playing.
Selectable oversampling up to 8x.
Selectable soft or hard clipping on the output.
Selectable stereo/mono modes.

Utilizes Jerobeam Fenderson’s algorithms as seen in his oscilloscope music videos. This algorithm represents his most polished and musical algorithm to date. The density parameter is particularly musical as it tends to sound like a filter sweep.
Built-in oscilloscope for immediate visual feedback of the many radar parameters.
FX section with parametric EQ (any number of bands), limiter, and ping-pong delay. Unfortunately the EQ is not modulatable at this time, but will be in the future.
Fully modular “wireless” design featuring "anything-to-anything" modulation including self modulation and feedback modulation.
LFOs and ADSRs may simultaneously modulate themselves while modulating others while being used as an audio source.
Hundreds of factory presets including growling basses, expressive leads, chaotic sound fx, rhythms and arpeggios, and hard-hitting percussion.
Analog-inspired design which means everything runs at audio rate. This allows ADSRs to be snappy enough for percussion.

Master Rate control changes the speed of all LFOs and synth where the synth can be set to zero speed or reverse.
Abuse the Rotation parameter with feedback modulation to create interesting and evolving stereophonic sound.
6 Analog-style loopable ADSRs that will become unstable as attack and decay times are set to near instant. Feature S-curve / Lin / Log / Exp shapes selectable for each envelope stage.
2 Breakpoint modulators, tempo-syncable, featuring many curve shapes.
8 LFOs, tempo-syncable, with dedicated ADSRs and HP/LP filters, with various "Random" modes.
Fully assignable MIDI sources.
Fully automatable with host automation.
Selectable reset options on everything, so you can keep the attack consistent for plucks or smooth for legato playing.
Selectable oversampling up to 8x.
Selectable soft or hard clipping on the output.
Selectable stereo/mono modes.

Windows

Windows XP or later
x86 / x64

Mac

OS X 10.7+
32 bit / 64 bit (Universal)

Windows

Windows 7 or later
x86 / x64
OpenGL 3.3

Mac

OS X 10.9+
32 bit / 64 bit (Universal)
OpenGL 3.3

Features

Features Jerobeam Fenderson's very own 3D fractal spiral algorithm plus Soundemote’s chaos-capable anything-to-anything signal routing, which allows for imitating the sound of analog filters.
Infinitely zoomable fractal algorithm creates illusion of zooming on an oscilloscope and allows for continuous shepard tone timbral changes by modulating “Morph”.
Many sound-shaping parameters allows for wavetable-style transformations.
"Z-Darkness" parameter creates an illusion of depth on an oscilloscope by darkening the back of the z-axis, which also results in chaotic feedback, great for sound design and fx.
Explore and combine classic FM (frequency modulation) and PM (phase modulation). Go beyond classical algorithms with chaotic signal routing.
125 factory presets including: analog-imitative screaming leads, growling basses, chaotic fx, and evolving oscilloscope-music shapes.

6 Analog-style loopable ADSRs that will become unstable as attack and decay times are set to near instant. Feature S-curve / Lin / Log / Exp shapes selectable for each envelope stage.
2 Breakpoint modulators, tempo-syncable, featuring many curve shapes.
8 LFOs, tempo-syncable, with dedicated ADSRs and HP/LP filters, with various "Random" modes.
Fully automatable with host automation.
Fully assignable MIDI sources.
Selectable reset options on everything, so you can keep the attack consistent for plucks or smooth for legato playing.
Selectable oversampling up to 8x.
Selectable soft or hard clipping on the output
Selectable stereo/mono modes

Take total control over the look and feel. One can make it look colorful or creepy for artistic endeavors, flat and monochrome for teaching purposes, or anything inbetween.
Hi-resolution 32-bit color waveform traces are great for videos.
Fully automatable parameters.
Low CPU usage (most of the work done on your graphics hardware via OpenGL).
Heatmap mode, laser mode, paint mode, and a handful of other color blending options.
Fully-customizeable colormaps.

Paint with sound using mouse functionality directly on the canvas.
Show/hide GUI controls by double clicking on canvas.
Creative color modes including RGB, HSL, RdGnBl & PrttyGrl
View a stereo signal using a fully-featured 1D mode with sync controls, number of cycles, zoom, scale, offset

Features Jerobeam Fenderson's 3D spiral ring algorithm, the more well-behaved brother of Spiral Generator, plus Soundemote’s chaos-capable anything-to-anything signal routing, which allows for imitating the sound of analog filters.
Excels at harmonically rich, lively, and highly playable bass patches. Features 40 bass patches covering wobbles, rhythms, grinders, screamers, and classic basses for the foundation of a musical piece.
Features 19 FX patches including “HyperOctave” series which explores the resulting sonic insanity of self-modulation applied to the octave parameter.
"Z-Darkness" parameter creates an illusion of depth on an oscilloscope by darkening the back of the z-axis, which quickly causes grinding and growling sounds as formants form in the harmonic spectra.
Many sound-shaping parameters allows for wavetable-style transformations.

Explore and combine classic FM (frequency modulation) and PM (phase modulation). Go beyond classical algorithms with chaotic signal routing.
6 Analog-style loopable ADSRs that will become unstable as attack and decay times are set to near instant. Feature S-curve / Lin / Log / Exp shapes selectable for each envelope stage.
2 Breakpoint modulators, tempo-syncable, featuring many curve shapes.
8 LFOs, tempo-syncable, with dedicated ADSRs and HP/LP filters, with various "Random" modes.
Fully automatable with host automation.
Fully assignable MIDI sources.
Selectable reset options on everything, so you can keep the attack consistent for plucks or smooth for legato playing.
Selectable oversampling up to 8x.
Selectable soft or hard clipping on the output.
Selectable stereo/mono modes.

Utilizes Jerobeam Fenderson’s Nyquist-Shannon algorithm as seen in his oscilloscope tutorials.
Deceptively simple control scheme creates a huge range of dubsteppy growls, vocal basses, and hard-sync-style screams.
Use tone smoothing to dynamically separate pitch and timbre changes, allowing for easy “talking” style modulation.
Extend the sound possibilities with feedback modulation to create fractal and highly aggressive patches.
38 factory presets including: rhythmic screams, growling basses, and "talky" fx.
6 Analog-style loopable ADSRs that will become unstable as attack and decay times are set to near instant. Feature S-curve / Lin / Log / Exp shapes selectable for each envelope stage.
2 Breakpoint modulators, tempo-syncable, featuring many curve shapes.

8 LFOs, tempo-syncable, with dedicated ADSRs and HP/LP filters, with various "Random" modes.
Fully assignable MIDI sources.
Fully automatable with host automation.
Selectable reset options on everything, so you can keep the attack consistent for plucks or smooth for legato playing.
Selectable oversampling up to 8x.
Selectable soft or hard clipping on the output
Selectable stereo/mono modes

Features Jerobeam Fenderson's very own algorithm which generates a fractal spiral.
Infinitely rotatable by modulating the "RotY" and "RotX" parameters.
Infinitely zoomable by modulating the "Morph" parameter
Use the "Z Amount" parameter to engage chaotic feedback, great for sound design and fx.
All parameters automatable.
Creates some mean vocal basses.

6 assignable LFOs
5 Velocity-sensitive ADSRs (hard-wired for now)
7 assignable midi sources: pitch, mod, pressure, velocity, keytrack
Selectable oversampling from 1x to 8x
Soft-clipper at the output will saturate the signal as you increase the output gain.

Fully wireless modular design featuring "anything-to-anything" modulation including self modulation and feedback modulation.
LFOs and ADSRs may simultaneously modulate themselves while modulating others while being used as an audio source.
150 factory presets including growling basses, expressive leads, chaotic sound fx, rhythms, arpeggios, and hard-hitting percussion.
Analog-inspired design which means everything runs at audio rate. This allows ADSRs to be snappy enough for percussion.
Master Rate control changes the speed of all LFOs and synth where the synth can be set to zero speed or reverse.
Selectable stereo/mono modes.
Abuse the Rotation parameter with feedback modulation to create interesting and evolving stereophonic sound.

6 Analog-style loopable ADSRs that will become unstable as attack and decay times are set to near instant. Feature S-curve / Lin / Log / Exp shapes selectable for each envelope stage.
2 Breakpoint Modulators, tempo-syncable, featuring many curve shapes.
8 LFOs, tempo-syncable, with dedicated ADSRs and HP/LP filters, with various "Random" modes.
Fully assignable midi sources.
Fully automatable with host automation.
Selectable reset options on everything, so you can keep the attack consistent and snappy for percussion or smooth for legato.
Selectable oversampling up to 8x.
Selectable soft or hard clipping on the output.

Utilizes Jerobeam Fenderson’s radar algorithm as seen in his oscilloscope music videos. This algorithm represents his most polished and musical algorithm to date. The density parameter is particularly musical as it tends to sound like a filter sweep.
NEW: built-in oscilloscope for immediate visual feedback of the many radar parameters.
NEW: FX section with parametric EQ (any number of bands), limiter, and ping-pong delay. Unfortunately the EQ is not modulatable at this time, but will be in the future.
Fully modular “wireless” design featuring "anything-to-anything" modulation including self modulation and feedback modulation.
LFOs and ADSRs may simultaneously modulate themselves while modulating others while being used as an audio source.
150 factory presets including growling basses, expressive leads, chaotic sound fx, rhythms and arpeggios, and hard-hitting percussion.
Analog-inspired design which means everything runs at audio rate. This allows ADSRs to be snappy enough for percussion.

Master Rate control changes the speed of all LFOs and synth where the synth can be set to zero speed or reverse.
Abuse the Rotation parameter with feedback modulation to create interesting and evolving stereophonic sound.
6 Analog-style loopable ADSRs that will become unstable as attack and decay times are set to near instant. Feature S-curve / Lin / Log / Exp shapes selectable for each envelope stage.
2 Breakpoint modulators, tempo-syncable, featuring many curve shapes.
8 LFOs, tempo-syncable, with dedicated ADSRs and HP/LP filters, with various "Random" modes.
Fully assignable MIDI sources.
Fully automatable with host automation.
Selectable reset options on everything, so you can keep the attack consistent for plucks or smooth for legato playing.
Selectable oversampling up to 8x.
Selectable soft or hard clipping on the output.
Selectable stereo/mono modes.

Utilizes Jerobeam Fenderson’s algorithms as seen in his oscilloscope music videos. This algorithm represents his most polished and musical algorithm to date. The density parameter is particularly musical as it tends to sound like a filter sweep.
Built-in oscilloscope for immediate visual feedback of the many radar parameters.
FX section with parametric EQ (any number of bands), limiter, and ping-pong delay. Unfortunately the EQ is not modulatable at this time, but will be in the future.
Fully modular “wireless” design featuring "anything-to-anything" modulation including self modulation and feedback modulation.
LFOs and ADSRs may simultaneously modulate themselves while modulating others while being used as an audio source.
Hundreds of factory presets including growling basses, expressive leads, chaotic sound fx, rhythms and arpeggios, and hard-hitting percussion.
Analog-inspired design which means everything runs at audio rate. This allows ADSRs to be snappy enough for percussion.

Master Rate control changes the speed of all LFOs and synth where the synth can be set to zero speed or reverse.
Abuse the Rotation parameter with feedback modulation to create interesting and evolving stereophonic sound.
6 Analog-style loopable ADSRs that will become unstable as attack and decay times are set to near instant. Feature S-curve / Lin / Log / Exp shapes selectable for each envelope stage.
2 Breakpoint modulators, tempo-syncable, featuring many curve shapes.
8 LFOs, tempo-syncable, with dedicated ADSRs and HP/LP filters, with various "Random" modes.
Fully assignable MIDI sources.
Fully automatable with host automation.
Selectable reset options on everything, so you can keep the attack consistent for plucks or smooth for legato playing.
Selectable oversampling up to 8x.
Selectable soft or hard clipping on the output.
Selectable stereo/mono modes.

Take total control over the look and feel. One can make it look colorful or creepy for artistic endeavors, flat and monochrome for teaching purposes, or anything inbetween.
Hi-resolution 32-bit color waveform traces are great for videos.
Fully automatable parameters.
Low CPU usage (most of the work done on your graphics hardware via OpenGL).
Heatmap mode, laser mode, paint mode, and a handful of other color blending options.
Fully-customizeable colormaps.

Paint with sound using mouse functionality directly on the canvas.
Show/hide GUI controls by double clicking on canvas.
Creative color modes including RGB, HSL, RdGnBl & PrttyGrl
View a stereo signal using a fully-featured 1D mode with sync controls, number of cycles, zoom, scale, offset

Videos

Get all of the tools to make the most out of oscilloscope music!

More videos in our

Tutorial Page

Below are few images captured with PrettyScope.

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PrettyScope

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Sound Visualizer for Art and Education

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